This is a story about power. How were myths created to control societal behaviour and how can they be turned around to better purpose? Where once a mythic figure was wholly negative, designed to keep both men and women in their places through fear, now she is appreciated as a way of healing our innermost suffering and pain as individuals. She clears out unwanted aspects of our lives, emphasises immanent experience and reminds us of our bond to the Earth.

The Moon also represents the Earth, as a fragment that split off millions of years ago and the other, so-called Black Moon, represented by Lilith, is “something from the female elemental force that's hidden in the shadow”. The mysteries associated with the owl and the menstrual cycle belong here too: one transformed from the monstrous medieval screech owl who roamed at night into a magical power animal; the other for its insight to instinctive sexuality.

As one ancient society sought to identify itself as separate from its neighbours, in custom and belief, with stories of foundation, it retold the myths of those neighbours, changing positive characters to negative, making deities appear weak or insignificant so as to supersede or dismiss them. Those that couldn’t be assimilated were rejected with force. Now Lilith asserts herself as the other, without as woman outcast or within as anima; champion of liberty and equality.

There are overlapping chronologies at work here: the path of the Sumerian legend and the Hebrew myth that overtook it; the artist’s discovery of the elements in each story and the order in which they were considered to reimagine the character for her psychological, spiritual and political significances. Whether a devotee who honours the goddess Inanna in reflection of her hand maiden Lilith or the hero herself in self-imposed exile, determination is never in doubt.

In contrast, and as a sort of coda to the earlier images, the Hallupu tree that had once been Lilith’s home also appears in the story of Gilgamesh. As interpreted here, he mistakes his own folly for courage and chops it down, destroying all it represents.

See also https://kenoath.wordpress.com/lilith-edits-and-links/.

“I could still enter the dark, embracing cave and feel mysteriously freed.”
 

~ Walter Bernstein



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Serpent’s Skin

Serpent’s Skin

oil, sand and acrylic paste on canvas
149x209cm; 58x83in.

Menstrua Luna

Menstrua Luna

oil, sand, acrylic paste on canavas
74x74cm; 29.1x29.1in.

Moment Of The Moon

Moment Of The Moon

oil and acrylic paste on photographic paper on aluminium
107x87.5cm

The Eyes Of Lilith

The Eyes Of Lilith

oil and acrylic paste on canvas
124x92cm; 48.1x36.2in.

Black Light

Black Light

oil on canvas
104.5x104.5cm; 41.2x41.2in.
 

Ritma Nueva

Ritma Nueva

oil on canvas
158x158cm; 62.3x62.3in.

Black Moon

Black Moon

oil on canvas
161.5x130.5cm

Black Moon (Destroyer Of Worlds)

Black Moon (Destroyer Of Worlds)

oil on canvas
100.5x80cm; 39.5x31.5in.

Owl

Owl

oil and sand on canvas
149x197cm; 58.7x77.5in.

Serpent’s Skin II

Serpent’s Skin II

oil, sand, acrylic paste on canavas
63.5x63.5cm

Serpent’s Skin III

Serpent’s Skin III

oil, sand, acrylic paste on papier maché
86.5x70cm

Tree Life

Tree Life

oil on paper
123x64cm; 48.4x25.1in.

Tree Life II (What’s A Girl To Do?)

Tree Life II (What’s A Girl To Do?)

oil, sand and gold leaf on canvas
199x152cm; 78.3x59.8in.

Tree Life III (I Need To Pee)

Tree Life III (I Need To Pee)

oil and gold leaf on papier maché
92x134x19cm; 36.2x52.7x7.5in.

Tree Life IV (So What If I Snore?)

Tree Life IV (So What If I Snore?)

oil and gold leaf on canvas, papier maché
130x142x73cm; 51.2x55.9x28.8in.

No

No

oil on canvas
158x158cm; 62.3x62.3in.

Pillars Of Fire

Pillars Of Fire

oil on canvas
106x102x22cm

Scraping The Edge

Scraping The Edge

oil on canvas
158x158cm; 62.3x62.3in.

Back To The Cave

Back To The Cave

oil on cavas, gold and metal leaf, sand on papier maché
243x241x38cm; 95.6x94.8x15in.

Xenolith

Xenolith

oil on canvas and papier maché, wax, wire
114x120x40cm; 44.8x47.2x15.7in.

Splendid Isolation

Splendid Isolation

oil and gold leaf on canvas
152x153cm; 59.8x60.2in.

Outside

Outside

oil on canvas and papier maché
166x111x30cm; 65.35x43.7x11.8in.

Inanna Says

Inanna Says

oil on canvas
184x92cm

Hacked Off

Hacked Off

oil on papier maché
89x116cm; 35.3x45.6in.

The Woodcutter

The Woodcutter

oil on papier maché
84x124.5cm; 33x9.49in.

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